Research Paper » Table of Contents
Articles, essays, reviews of literature, talks, and white papers generated by the Transliteracies project.
Articles, essays, reviews of literature, talks, and white papers generated by the Transliteracies project.
About the Authors:
Renee Hudson received her BA in English at Stanford University and is currently a PhD student in English at UCLA. She specializes in twentieth century American literature. Her research interests include media theory, terrorism, and political violence.
Kimberly Knight is a doctoral candidate in Literature at UC Santa Barbara. Her research interests include literary and cultural theory; digital and information culture; new media literature and art; and twentieth century literature. She is currently writing her dissertation on viral structures in contemporary literature and new media. Knight is a member of the development team of The Agrippa Files: an Online Archive of Agrippa (a book of the dead) and has served as the RA for the Literature.Culture.Media (formerly Transcriptions) Studio at UCSB. She is also the Flash designer and co-author of the Transliteracies History of the Book project, “In the Beginning Was the Word”.
Popular Social Book Cataloging Sites
GoodReads
Created in 2006, Goodreads is a social networking site designed for booklovers. Accounts are linked to users’ email accounts, so friends can be added directly from one’s email account. Users receive updates through email about their friends’ activity on Goodreads. In addition to connecting with a user’s email account, Goodreads is also an application on Facebook. All reading updates have to be done through the Goodreads website, but afterwards Facebook users can refresh their Goodreads box, which will then show updated thumbnails of which books a user is currently reading and has already read. Facebook friends are automatically added as friends on Goodreads if both users have a Goodreads account. (more…)
About the Authors:
Salman Bakht is a new media artist and composer currently studying in the Media Arts and Technology Program at UC Santa Barbara. Salman’s work focuses on the reuse and transformation of recorded audio using algorithmic composition methods. He is interested in creating art which analyzes, represents, and integrates with the physical environment and the media landscape.
Pehr Hovey is an algorithmic artist and researcher interested in the intersection of arts and technology. He is studying the mapping between audio and visual domains and how visual stimuli can be tightly integrated with the aural environment. He recently graduated with degrees in Computer Science and Computer Engineering from Washington University in Saint Louis and is currently a Masters student in Media Arts & Technology at UC-Santa Barbara.
Kris McAbee [Under Construction]
About the Authors:
Pehr Hovey is an algorithmic artist and researcher interested in the intersection of arts and technology. He is studying the mapping between audio and visual domains and how visual stimuli can be tightly integrated with the aural environment. He recently graduated with degrees in Computer Science and Computer Engineering from Washington University in Saint Louis and is currently a Masters student in Media Arts & Technology at UC-Santa Barbara.
Renee Hudson received her BA in English at Stanford University and is currently a PhD student in English at UCLA. She specializes in twentieth century American literature. Her research interests include media theory, terrorism, and political violence.
Summary
The Institute for the Future of the Book officially launched CommentPress 1.0 on July 25, 2007 as a theme for WordPress. The initial project developed in 2006 when the Institute approached Mackenzie Wark about creating an online version of his book Gamer Theory. In order to emphasize conversation about the book, the Institute departed from the typical blogging structure by placing comments next to the text rather than directly beneath the text. The online project, called GAM3R 7H30RY was so successful that it sparked similar projects, among them Mitchell Stephen’s “Holy of Holies: On the Constituents of Emptiness,” and Lewis Lapham’s “The Iraq Study Group Report.” (more…)
About the Authors:
Salman Bakht: [Under Construction]
Pehr Hovey is an algorithmic artist and researcher interested in the intersection of arts and technology. He is studying the mapping between audio and visual domains and how visual stimuli can be tightly integrated with the aural environment. He recently graduated with degrees in Computer Science and Computer Engineering from Washington University in Saint Louis and is currently a Masters student in Media Arts & Technology at UC-Santa Barbara.
Aaron McLeran: [Under Construction]
Summary
Open Journal Systems (OJS) is an online management and publishing system for peer-reviewed journals developed by the Public Knowledge Project, a partnership among the University of British Columbia, the Simon Fraser University Library, the School of Education at Stanford University, and the Canadian Centre for Studies in Publishing at Simon Fraser University. Open Journal Systems’s open source software is designed with the purpose of “making open access publishing a viable option for more journals, as open access can increase a journal’s readership as well as its contribution to the public good on a global scale”{1} and provides tools to aid with every stage of the publishing process. Additionally, OJS offers a set of reading tools which can optionally be added to the journal. As of January 2009, OJS was currently used by over 2000 journals {2}. (more…)
About the Author: Nicole Starosielski is a PhD student in Film and Media Studies at UCSB. Her current research interests include media historiography, perception and affect of digital media, and 3-D animation environments. She is also a media artist working in the integration of theory and production at the intersection of the humanities, sciences and arts. She has participated in the UCSB IGERT program in Interactive Digital Multimedia and is currently the research assistant for UCSB’s Center for Film, Television and New Media. Her recent projects include TechConnect (a mockumentary about technology and community), Bleach (an experimental ethnography on race, gender and family) and Minotour (a location-aware mobile tour application that weaves a spatial tale from Wikipedia). Read more about the author.
Summary
From April 19th-21st, 2007, HASTAC (Humanities, Arts, Science, and Technology Advanced Collaboratory) held the “Electronic Techtonics: Thinking at the Interface” conference at Duke University in Durham, North Carolina. It marked the culmination of the In|Formation Year, a year long mashup of public programming, technological innovation, and interdisciplinary discussion on the humanistic dimensions of technology. “Electronic Techtonics” brought together a variety of perspectives on the material interface and itself served as an interface, in the broader sense of the word, between a broad range of disciplinary approaches. The concepts in circulation ranged from newly proposed theories for the interface, to the exploration of new interfaces, to a critical cultural analysis of how interfaces are emerging, operating, and being deployed. The following report summarizes some of the key panels and events at the conference; and also reflects on their implications for the Transliteracies Project. (more…)
About the Author: Elizabeth Swanstrom is a doctoral candidate in comparative literature at UC Santa Barbara. Her research interests include twentieth-century Latin-American and American literatures, the literature of the fantastic, history of science, media theory, and science-fiction film and literature. A recent paper she wrote on issues of memory and information technology in William Gibson’s science fiction titled “Wax Blocks, Data Banks, and File #0467839: The Archive of Memory in William Gibson’s Science Fiction” appeared in the Spring 2005 issue of InterActions: UCLA Journal of Education and Information Studies. Swanstrom is a member of the development and editorial team of The Agrippa Files: An Online Archive of Agrippa (a book of the dead). In addition to her academic work, she writes short fiction and serves as co-editor for the online literary journal Sunspinner. Read more about the author.
Related Categories:
In the Transliteracies’ research clearing house we’ve been seeing many research reports that focus on reading as a collective activity that brings together a group of readers to one reading locus in the online or new media environment. In such spaces multiple readers have access to the same text—they read it, they respond to it, and they help write it, either explicitly in the case of wikipedia or indirectly (or, at least, differently!) in the case of blog platforms. This is extremely interesting, but I am equally intrigued by the way that reading is not just a collective activity, but a collecting one, a process that not only allows people to come together and gather as a group of readers, but one that also involves the act of gathering, sorting, sifting, organizing, processing, and editing information.
I would like to focus here on precisely this: reading as a collective and collecting activity, reading as gathering. By looking at a few case studies and excerpts from my own research reports, I wish to explore, however briefly, the way collective and collecting reading shift in the online environment and to consider what happens when the act of collecting or selecting becomes an automated or partially automated part of the reading process. (more…)
About the Author: Monica Bulger is a doctoral student at the Gevirtz Graduate School of Education, former UCSB Writing Program Lecturer, and current Co-Director of the Bren Graduate Writing Center. Her research interests include educational technologies, cognitive writing processes, and student engagement. She currently works with the Technology in Education research initiative, an interdisciplinary team that studies the impacts of technology on student learning. More information about the author.
Related Categories: Literacy Studies
Today’s online reading experience is a convergence of search engines, blogs, wikis, forums, social networks, RSS feeds, and traditional web pages (Lieu & Kinzer, 2000). Efforts such as Google Books, Yahoo’s Online Content Alliance, and digital libraries are increasing the rate at which resources such as journal articles, books, periodicals, and informational websites are published online (Carlson & Young, 2004; Gorman & Wilkin, 2005; Hafner, 2005). Correspondingly, an increasing percentage of the U.S. population (73% in 2006) is turning to online resources for work-related research, education. and general information about hobbies, health and shopping (Madden, 2006). Online users now have access to vast amounts of information but may not know how to use it (Azevedo & Cromley, 2004; Rouet, 2006). The risk of information overload, combined with the seductive distractions of online media, challenge users to develop savvy navigation and filtering skills. Faced with over eight billion pages of information (Lyman & Varian, 2003; Markoff, 2005) and unlimited opportunities for interaction, how do online users select what they need and know when to stop?