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	<title>Art Installations &#8211; Transliteracies</title>
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	<link>http://transliteracies.english.ucsb.edu</link>
	<description>Research in the Technological, Social, and Cultural Practices of Online Reading</description>
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		<title>Announcement: Art Installations</title>
		<link>http://transliteracies.english.ucsb.edu/post/research-project/research-clearinghouse-individual/objects-for-study-individual/art-installations/art-installations</link>
		<pubDate>Sun, 22 Jan 2006 06:54:33 +0000</pubDate>
		<dc:creator><![CDATA[tl]]></dc:creator>
				<category><![CDATA[Art Installations]]></category>

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		<description><![CDATA[Where appropriate and useful, some art works related to the issues of the Transliteracies Project are also placed in other categories of &#8220;Objects for Study.&#8221; For example, a work might contribute equally to art and to research in text visualization or data mining. But cross-categorization is the exception rather than rule. Art works that seem [&#8230;]]]></description>
		</item>
		<item>
		<title>agoraXchange-Make the Game Change the World</title>
		<link>http://transliteracies.english.ucsb.edu/post/research-project/research-clearinghouse-individual/objects-for-study-individual/social-computing-objects/agoraxchange-make-the-game-change-the-world</link>
		<pubDate>Mon, 19 Feb 2007 04:56:30 +0000</pubDate>
		<dc:creator><![CDATA[Ayhan Aytes]]></dc:creator>
				<category><![CDATA[* All Objects for Study]]></category>
		<category><![CDATA[* New Reading Interfaces Objects]]></category>
		<category><![CDATA[* Social Computing Objects]]></category>
		<category><![CDATA[Alternative Interfaces]]></category>
		<category><![CDATA[Art Installations]]></category>
		<category><![CDATA[Social Networking Systems]]></category>

		<guid isPermaLink="false">http://transliteracies.english.ucsb.edu/post/discussion-forum/agoraxchange-make-the-game-change-the-world</guid>
		<description><![CDATA[&#8220;agoraXchange is an online community for designing a massive multi-player global politics game challenging the violence and inequality of our present political system. Phase I was launched as a commission for the Tate Online on 15 March 2004 and now contains a database of ideas for the rules, game environment, and site look-and-feel.&#8221; agoraXchange.net Following [&#8230;]]]></description>
		</item>
		<item>
		<title>Moving Canvas </title>
		<link>http://transliteracies.english.ucsb.edu/post/research-project/research-clearinghouse-individual/objects-for-study-individual/all-objects-for-study/moving-canvas</link>
		<pubDate>Sat, 06 Jan 2007 18:00:02 +0000</pubDate>
		<dc:creator><![CDATA[Kimberly Knight2]]></dc:creator>
				<category><![CDATA[* All Objects for Study]]></category>
		<category><![CDATA[Alternative Interfaces]]></category>
		<category><![CDATA[Art Installations]]></category>

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		<description><![CDATA[Designed by FrÃ©dÃ©ric Eyl, Gunnar Green and Richard The, &#8220;Moving Canvas&#8221; is a system that projects words and images on the inside of subway tunnels. The project was conceived and designed in 2005 as part of a digital media class at the University of the Arts Berlin. &#8220;Affordable mobile video-projections will offer a vast range [&#8230;]]]></description>
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		</item>
		<item>
		<title>SnOil</title>
		<link>http://transliteracies.english.ucsb.edu/post/research-project/research-clearinghouse-individual/objects-for-study-individual/new-reading-interfaces-objects/snoil</link>
		<pubDate>Sat, 06 Jan 2007 17:32:14 +0000</pubDate>
		<dc:creator><![CDATA[Kimberly Knight2]]></dc:creator>
				<category><![CDATA[* New Reading Interfaces Objects]]></category>
		<category><![CDATA[Alternative Interfaces]]></category>
		<category><![CDATA[Art Installations]]></category>

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		<description><![CDATA[SnOil was conceived and designed in 2005 by Martin Frey, a student in a digital media class entitled &#8220;Sensitive Skins&#8221; at the Berlin University of the Arts. SnOil uses electromagnets and ferrofluid to present viewers with with a liquid reading surface upon which words appear and disappear, leaving no trace behind. In addition to to [&#8230;]]]></description>
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		</item>
		<item>
		<title>Giselle, Beiguelman, “esc for escape” (2004) </title>
		<link>http://transliteracies.english.ucsb.edu/post/research-project/research-clearinghouse-individual/objects-for-study-individual/all-objects-for-study/giselle-beiguelman-%e2%80%9cesc-for-escape%e2%80%9d-2004</link>
		<pubDate>Fri, 15 Dec 2006 22:57:10 +0000</pubDate>
		<dc:creator><![CDATA[eswanstrom2]]></dc:creator>
				<category><![CDATA[* All Objects for Study]]></category>
		<category><![CDATA[Art Installations]]></category>
		<category><![CDATA[Text and Multimedia]]></category>
		<category><![CDATA[Text Encoding]]></category>

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		<description><![CDATA[Online art exhibition that archives error messages from users around the globe. &#8220;esc for escape begun in 2000. It was part of &#60;Content = No Cache&#62;. By that time I invited people to submit error messages asking them: Have you ever read something scary on your screen? Do you understand why programmers suppose they are [&#8230;]]]></description>
		</item>
		<item>
		<title>We Feel Fine</title>
		<link>http://transliteracies.english.ucsb.edu/post/research-project/research-clearinghouse-individual/objects-for-study-individual/all-objects-for-study/wefeelfineorg</link>
		<pubDate>Fri, 27 Oct 2006 16:21:18 +0000</pubDate>
		<dc:creator><![CDATA[tl]]></dc:creator>
				<category><![CDATA[* All Objects for Study]]></category>
		<category><![CDATA[Art Installations]]></category>
		<category><![CDATA[Online Social Networking (Tools for Analyzing)]]></category>

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		<description><![CDATA[Online exhibit and resource that mines web-logs for emotional phrases and adds them to a navigable database. &#8220;Since August 2005, We Feel Fine has been harvesting human feelings from a large number of weblogs. Every few minutes, the system searches the world&#8217;s newly posted blog entries for occurrences of the phrases &#8220;I feel&#8221; and &#8220;I [&#8230;]]]></description>
		</item>
		<item>
		<title>tenbyten.org</title>
		<link>http://transliteracies.english.ucsb.edu/post/research-project/research-clearinghouse-individual/objects-for-study-individual/all-objects-for-study/tenbytenorg</link>
		<pubDate>Fri, 27 Oct 2006 16:08:58 +0000</pubDate>
		<dc:creator><![CDATA[tl]]></dc:creator>
				<category><![CDATA[* All Objects for Study]]></category>
		<category><![CDATA[Art Installations]]></category>

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		<description><![CDATA[Online exhibit that presents 100 snapshots from leading news sources in a grid updated every hour. &#8220;Every hour, 10&#215;10 scans the RSS feeds of several leading international news sources, and performs an elaborate process of weighted linguistic analysis on the text contained in their top news stories. After this process, conclusions are automatically drawn about [&#8230;]]]></description>
		</item>
		<item>
		<title>The Temporary Printing Machine</title>
		<link>http://transliteracies.english.ucsb.edu/post/research-project/research-clearinghouse-individual/objects-for-study-individual/new-reading-interfaces-objects/the-temporary-printing-machine</link>
		<pubDate>Sat, 21 Oct 2006 17:59:17 +0000</pubDate>
		<dc:creator><![CDATA[tl]]></dc:creator>
				<category><![CDATA[* All Objects for Study]]></category>
		<category><![CDATA[* New Reading Interfaces Objects]]></category>
		<category><![CDATA[Alternative Interfaces]]></category>
		<category><![CDATA[Art Installations]]></category>

		<guid isPermaLink="false">http://transliteracies.english.ucsb.edu/post/research-project/research-clearinghouse-individual/objects-for-study-individual/new-reading-interfaces-objects/the-temporary-printing-machine</guid>
		<description><![CDATA[&#8220;The Temporary Printing Machine, one of the latest works by Random International, highlights the ephemeral quality of digital data. The installation functions as a big canvas onto which any kind of digital content can be &#8220;printed&#8221; out as a monochrome image. Images and text are not printed with ink, but with UV light onto a [&#8230;]]]></description>
		</item>
		<item>
		<title>El Muro</title>
		<link>http://transliteracies.english.ucsb.edu/post/research-project/research-clearinghouse-individual/objects-for-study-individual/new-reading-interfaces-objects/el-muro</link>
		<pubDate>Sat, 21 Oct 2006 17:22:21 +0000</pubDate>
		<dc:creator><![CDATA[tl]]></dc:creator>
				<category><![CDATA[* All Objects for Study]]></category>
		<category><![CDATA[* New Reading Interfaces Objects]]></category>
		<category><![CDATA[Alternative Interfaces]]></category>
		<category><![CDATA[Art Installations]]></category>

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		<description><![CDATA[&#8220;El Muro&#8221; was developed by Willy Sengewald and Richard The as part of the Digital Media class at the Berlin University of the Arts. The project literally invokes &#8220;the writing on the wall&#8221; (specifically the Berlin Wall) as a statement about political communication and ephemera. &#8220;&#8221;El Muro&#8221; is situated in the middle of a room, [&#8230;]]]></description>
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		<item>
		<title>Aegis Hyposurface</title>
		<link>http://transliteracies.english.ucsb.edu/post/research-project/research-clearinghouse-individual/objects-for-study-individual/new-reading-interfaces-objects/aegis-hyposurface</link>
		<pubDate>Fri, 13 Oct 2006 20:05:12 +0000</pubDate>
		<dc:creator><![CDATA[tl]]></dc:creator>
				<category><![CDATA[* All Objects for Study]]></category>
		<category><![CDATA[* New Reading Interfaces Objects]]></category>
		<category><![CDATA[Alternative Interfaces]]></category>
		<category><![CDATA[Art Installations]]></category>

		<guid isPermaLink="false">http://transliteracies.english.ucsb.edu/post/research-project/research-clearinghouse-individual/objects-for-study-individual/new-reading-interfaces-objects/aegis-hyposurface</guid>
		<description><![CDATA[Developed by the Spatial Information Architecture Lab (SIAL) at RMIT University in Melbourne, Aegis explores interactive, indeterminate space. &#8220;The Aegis Hyposurface is an art/architecture device that effectively links information systems with physical form to produce dynamically variable, tactile &#8216;informatic&#8217; surfaces. Aegis is perhaps the world&#8217;s first such dynamic screen&#8230;. We therefore think of the Aegis [&#8230;]]]></description>
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